Category: Inquiry

This is the category to apply to your Inquiry posts.

Ethical Mapping

Maps are one of the most integral tools of the tourism industry. Be they digital or physical, big or small, printed or drawn, a visual reference is invaluable for directing and guiding people.

As part of my group’s efforts to bring the tools and techniques of the digital world to a physical medium, I have chosen to include maps on some mock up brochures in order to point prospective hypothetical visitors to the Vancouver area toward some of the landmarks I have chosen to highlight. While in person its simple enough to direct people to their mapping software of choice, most commonly Google or Apple Maps, in the format or a brochure the use of these maps is not as accessible due to concerns over copyright and whether or not a screenshot of a mapping software in print counts as reproduction.

To the more artistically inclined the solution may be to simply draw their own map for such a format, ensuring the rights to its usage by being the original creator themselves. But this will not always be a practical solution. However there exists a middle ground between original maps and existing digital maps.

Open Street Map’s Standard Layer showing the area around Waterfront Station in Vancouver, BC
Open Street Map’s Transport Layer showing the area around Waterfront Station in Vancouver, BC
Open Street Map’s Humanitarian Layer showing the area around Waterfront Station in Vancouver, BC

Open Street Map is an open source mapping software usable on both mobile and desktop. Not only is this software community curated and likely to reflect recent changes in the map than software from a big company, but it is also reproducible, allowing the use of their maps in published works. Not only this but each region brings with it a number of optional “layers” that add or omit information based on differing needs such as the “Humanitarian” Layer which highlights public bathrooms and places to eat, or the “Transport” Layer which shows transit routes and information.

This open access and usage model, as well as the ability to tailor the information on the screen makes Open Street Map the perfect software to find and create visual references for use in print and online

Works Cited:
Open Street Map: https://www.openstreetmap.org

Boots on the Ground

Building off of my last inquiry, I once again took the time to put myself out in the field in an effort to gather materials for my group’s project. In our continued efforts to grapple with the tumultuous world of usage rights, we opted to each explore some of our local public display artwork. This we felt also paired well with the tourism angle we have been exploring.

For this, I suggested we find works that fit within 3 categories, those being indigenous, traditional, and contemporary art on display in BC. As I had already catalogued some indigenous art, I instead turned my attention to the the latter two categories.

A map of public art installations in Vancouver, BC

Luckily with some google searching I was able to find an online map that catalogues public art installations around Vancouver. As I was going to be downtown shortly after this decision was made, I used this to identify two pieces I wanted to highlight.

Angel of Victory Statue located outside Waterfront Station. Vancouver BC

For my traditional work I wanted to highlight a statue that I felt was emblematic of the artistic movements of 19th and 20th century colonial America. For this I chose the Angel of Victory, one of four identical bronze casts by Coeur de Lion McCarthy located at former CPR stations across Canada in commemoration of the First World War. For the sake of our project I wanted to highlight works such as this as pieces of historical significance, such as those commemorating victims of war are some of the most popular for older visitors and families.

Douglas Coupland’s Digital Orca located just outside the Vancouver Convention Centre

On the other side of the coin, I wanted to highlight more contemporary works on display in Vancouver. For our purposes I wanted to highlight pieces that might not necessarily draw people to a location, but rather pieces that are emblematic of their city and which serve as something to find while exploring a new city. For this I chose Douglas Coupland’s Digital Orca sculpture which stands just outside the Vancouver Convention Centre. This imposing piece to me mates the natural beauty of British Columbia, with the modernity of the city of Vancouver, and serves as a perfect backdrop for photos, a meeting place with friends, or simply an interesting place to pass by.

Works Cited:
The Importance of Sources: https://digitaltourism.opened.ca/2025/03/05/the-importance-of-sources/
Vancouver Public Art Map: https://schoolofcities.github.io/vancouver-public-art/map
Digital Orca: https://covapp.vancouver.ca/PublicArtRegistry/ArtworkDetail.aspx?FromArtworkSearch=True&ArtworkId=521
Angel of Victory: https://heritagevancouver.org/top10-watch-list/2009/6-historic-monuments-angel-of-victory/

Gathering Resources

My learning process at this stage in the course has been focused on gathering resources. For our project my group is aiming to combine our backgrounds of Tourism, Arts, and Business to create digital advertisements for the art and architecture of British Columbia. However as a part of this, we wanted to be aware of the usage rights of the works we feature.

Landing Page for the Internet Archive’s Canadian Libraries page, which contains a repository of images, texts, and other resources from around Canada

In order to curate resources for our project that we can ensure we have the rights to, we have taken two approaches which I have been working on. The first is looking for works which are now in the public domain. My approach to this has been to explore the Internet Archive, which conveniently has a page dedicated to all forms of media from Canada. By using the search and filtering functions of this online resource, I have been working through works published prior to 1940 to create the highest chance of finding works which can fall under the public domain

The other method I have used to gather resources came about somewhat by accident. This past weekend I found myself making last minute plans to visit the Museum of Anthropology at the University of British Columbia, as curator Jennifer Kramer was doing tour of the brand new Nuxalk Strong Exhibit featuring histories of, as well as historical and contemporary works by Nuxalk artists, the indigenous people who originally inhabited the area around Bella Coola, BC, my home town. During this tour I had the opportunity to speak with Jennifer directly and was able to secure permission to feature some of the pieces featured in the exhibit for our project, and this class. As getting explicit permission is always ideal when featuring or sharing art, this was always preferred for our project however finding works that people can visit, as and tracking down those who can give us permission to feature them was a daunting challenge that I personally did not see as likely. So having been able to secure permission has been extremely valuable to me.

Works Cited:
Nuxalk Strong Exhibit: https://moa.ubc.ca/exhibition/nuxalk-strong/|
Internet Archive: https://moa.ubc.ca/exhibition/nuxalk-strong/

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